A DAD, egad!

I received a flyer across my desk the other day which offered to explain ‘Why Every Publisher Needs a DAD.’ Of course they do, I thought, goes without saying, even in this digital age. The flyer then went on to explain that some publishers might want more than one DAD. I should have known it wouldn’t be so simple. A DAD isn’t someone you build go-karts with (à la Dangerous Book for Boys) or give birthday socks to with impunity, but rather a Digital Asset Distributor. Illuminatingly, the flyer explained that there was no consensus on what a DAD actually did, but it was something to do with doing what book distributors do now. Now you know. I put the flyer down when it got to the stage of asking whether publishers should become DADs themselves. Not a role I have to worry about. I shall stick to my knitting.

Diamond geezer

I hear Irishman John Mc Namee of the European Booksellers Federation enjoyed his visit to the Australian Booksellers Association conference. Having scared everyone with prophesies of store closures in the digital future, John admitted there was an area of modern bookselling which he just didn’t understand: manga comics. Fortunately, Diamond Book Distributors’ beatnik-coiffed Scott Hatfill came to his rescue by running a ‘Manga for dummies’ session at the conference. ‘Now I understand why I didn’t get manga,’ Mc Namee was heard to admit afterwards, ‘I was always reading the books from the wrong end!’

Taking the Mickey

I’ve always maintained that the best way to generate goodwill at the ABA conference is to put money behind the bar. This year the good people at Disney did the right thing. I hear any misgivings about accepting free drinks from a Mickey Mouse organisation were soon dispelled.

Blown spume

Talking of circling sharks, it has come to my attention that one of South Australia's leading booksellers—Bruce Macky of Dymocks Adelaide—is getting off the gym treadmill and heading for the open seas. He is off later this month for a year-long clipper race around the world (either business is very good, or diabolically bad!). His yacht will be armed with a global positioning system, so reps who want to try every last thing to boost those Christmas orders can locate him successfully. Bon voyage, Bruce.

Garrett's the good oil

In contrast to Brandis, the performance of the Shadow Arts Minister on the same program a week later was very refreshing. Peter Garrett (shadow minister for climate change, environment, heritage and [phew!]the ... arts) was clearly briefed on the issues, was able to speak passionately and with knowledge as a creator and copyright holder himself and made all the right noises about preserving ELR, abolishing the recent sedition laws, protection territorial copyright and even looking into annoying anomalies in the GST (although the GST on books is here to stay). If anything, he was slightly less 'bookish' than Brandis, but I suspect the industry will forgive him that if he delivers something more than the current incumbent. Given the complete absence of any measures for the industry in the recent Federal Budget, that probably won't be very hard.

New 'Minister for Books'

If the performance last week of the new 'Minister for Books,' Senator George Brandis, on Radio National's 'Book Show' is anything to go by, it's unlikely books are going to get much attention in the lead-up to the next election. Brandis, actually Federal Minister for Arts and Sport (always a popular combination, that) was the guest of stand-in presenter Michael Gurr. Brandis has clearly been slow to get briefed on the book industry side of his portfolio since his February appointment, claiming that the annual ABS industry statistical survey was still going (Gurr politely informed him it wasn't), and identifying no particular measures his government was pursuing on the industry's behalf beyond the modest sums dispensed by the Australia Council. Still, he did mention he read books (his favourites are David Malouf's Johnno, John Stuart Mill's On Liberty and Robert Menzies' The Forgotten People) and said he bought books from Folio Books in Brisbane and Hill of Content in Melbourne. Perhaps the best that can be said about his performance, which was almost breathtaking in its blandness, was that he believed he didn't see a role for the government in regulating the industry. The government, he said, 'should keep their noses out of it.' That may be the best we can hope for.

Profiting from Guantanamo

What's wrong with this sentence?

'We're not trying to stop them from trying to sell their story, but we are saying you can't profit from it.' (Philip Ruddock)

Our beloved Attorney-General makes no attempt to explain why anyone, let alone a penniless, socially-marginalised, virtually unemployable convicted 'terrorist,' would want to sell anything except to make a profit. Perhaps he'll require David Hicks to provide a profit-and-loss statement on the writing of the book:

INCOME
Advance against royalty: $500,000

EXPENDITURE
Pen: $3.00
Paper: $20
4 years in Guantanamo Bay: Priceless